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发展循环经济对公共政策的需求分析
引用本文:廖筠,李慧明.发展循环经济对公共政策的需求分析[J].湖南农业大学学报(自然科学版),2011(1):87-91.
作者姓名:廖筠  李慧明
作者单位:(湖南师范大学 文学院, 湖南 长沙 410081)
摘    要:湖湘文化是一种显著的地域性文化,源远流长。作为一个地道的湖南人,杨恩寿的思想意识自然也会留下这种文化的印记,这在他的戏曲作品中有突出的反映:就取材而言,其剧作多涉及湖湘史事和人物;就思想而言,其剧作反映出以戏曲扶世的观念,表现了近代湖湘人士突出的关注时事、心怀天下的精神品格。不过,杨恩寿本人的思想意识呈现出保守性,这与其所处的时代和环境密切相关。

关 键 词:杨恩寿  湖湘文化  戏曲  救世

The Public Policies' Requirements of Circular Economy Development
LIAO Jun,Li Hui-ming.The Public Policies'' Requirements of Circular Economy Development[J].Journal of Hunan Agricultural University,2011(1):87-91.
Authors:LIAO Jun  Li Hui-ming
Institution:(1.Environment and Social Research and Development Centre, Nankai University, Professor and Ph.D Supervisor, Tianjin300071,China; 2.Tianjin University of Finance and Economics, lecturer, Ph.D Candidate in the Environment and Social Research and Development Centre in Nankai University, Tianjin300222, China)
Abstract:Huxiang Culture is a kind of significant regional culture, which has long history. As a Hunan people, Yang Enshou is influenced by this culture naturally. This phenomenon is reflected distinctly in his traditional operas: On one hand, the operas'' subjects are mostly related to the history of Hunan or celebrities in Hunan; on the other hand, the operas contain the idea that people can heal the world by playing traditional operas, which shows the spirit of concerning current affairs and being responsible for the fate of his country. However, Yang Enshou is a conservative. This is bound up with the times and context.
Keywords:Yang Enshou  Huxiang Culture  traditional opera  salvation
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