| 嘉定竹刻与宝庆竹刻之比较 |
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| 引用本文： | 张宗登.嘉定竹刻与宝庆竹刻之比较[J].世界竹藤通讯,2015,13(6):32. |
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| 作者姓名： | 张宗登 |
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| 作者单位： | 南京艺术学院博士后科研流动站 南京 210013 |
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| 基金项目： | 2015年度中国博士后基金项目(2015M581840);2015年度江苏省博士后基金项目(1501047C);2014年度湖南工业大学教学改革重点项目(2014A04) |
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| 摘 要： | 嘉定竹刻与宝庆竹刻均产生于明代中后期,社会稳定、物质水平不断提高、文人官士尚古之风盛行,成为竹刻技艺迅速发展的基础。文章分析了嘉定竹刻与宝庆竹刻相似的历史渊源,并从雕刻选材、艺术风格、雕刻技法、传承方式等方面对两者的艺术特征进行了比较。
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| 关 键 词： | 宝庆竹刻 嘉定竹刻 艺术风格 表现技法 |
Bamboo Carving Comparison Between Jiading and Baoqing |
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| Zhang Zongdeng.Bamboo Carving Comparison Between Jiading and Baoqing[J].World Bamboo and Rattan,2015,13(6):32. |
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| Authors: | Zhang Zongdeng |
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| Institution: | Post-doctoral Science and Technology Station, Nanjing Art College, Nanjing 210013, China |
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| Abstract: | Jiading and Baoqing bamboo carvings both get born in the middle and later Ming Dynasty.At that time,the stable society,the increase of material levels and the trend to value ancient style among intellectuals and officials set a basis for the rapid development of bamboo carving techniques.The paper analyzed the historical origin of Jiading and Baoqing bamboo carvings and compared them in terms of materials selection,art feature,carving techniques,inheriting way,etc. |
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| Keywords: | Baoqing Bamboo Carving Jiading Bamboo Carving art feature expression technique |
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