| 中国古典戏曲批评中的政教之论 |
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| 引用本文： | 胡建次.中国古典戏曲批评中的政教之论[J].湖南农业大学学报(自然科学版),2007(2). |
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| 作者姓名： | 胡建次 |
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| 作者单位： | 南昌大学中文系 江西南昌330031 |
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| 摘 要： | 我国古典戏曲政教之论的发展,大致可划分为三个阶段,即:宋元为萌生期,明代为拓展期,清代为深化和完善期。古典戏曲政教之论的发展历程,呈现出历时承传、现实导引与梯度拓展等多方面的特征。
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| 关 键 词： | 古典戏曲 政教之论 发展 特征 |
The Political Teaching of Chinese Ancient Drama Criticism |
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| HU Jian-ci.The Political Teaching of Chinese Ancient Drama Criticism[J].Journal of Hunan Agricultural University,2007(2). |
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| Authors: | HU Jian-ci |
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| Abstract: | The political teaching in Chinese ancient drama criticisms may roughly divide into three stages: the Song and Yuan Dynasty is the producing stage,the Ming Dynasty is the extending stage,the Qing Dynasty is deepening perfecting stage.The developing course |
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| Keywords: | ancient drama political teaching criticism development characteristics |
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