| 试论《古诗十九首》悲凉的美学风格 |
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| 引用本文： | 孙永年,孔正毅. 试论《古诗十九首》悲凉的美学风格[J]. 安徽农业大学学报, 2002, 0(5): 79-81 |
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| 作者姓名： | 孙永年 孔正毅 |
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| 作者单位： | 安徽肥西丰乐中学;安徽大学新闻系 |
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| 摘 要： | 本文从思想内容和艺术表现两方面,系统阐述了汉末诗坛奇葩《古诗十九首》的美学风格。认为悲凉慷慨构成其典型的美学特征。这一特征是在特定的社会背景下产生的,对后世文学特别是建安文学产生了深远的影响。
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| 关 键 词： | 《古诗十九首》 悲凉 美学风格 |
On the Grieved Solemnness and Aesthetic Style of "A Collection of Ninteen Ancient Poems" |
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| SUN Yong - nian and KONG Zheng-yi. On the Grieved Solemnness and Aesthetic Style of "A Collection of Ninteen Ancient Poems"[J]. Journal of Anhui Agricultural University, 2002, 0(5): 79-81 |
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| Authors: | SUN Yong - nian and KONG Zheng-yi |
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| Affiliation: | Feixi Fengle Middle School;Dept. of Journalism, Anhui University |
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| Abstract: | This paper systematically analyses and expounds the aesthetic style of a Collection of Ninteen Ancient Poenis tire19 Poems "written at the end of the Hari Dynasty. It holds that grieved solemnness and largeness are characteristic of the aesthetic style of the poems. Such a style was the outcome of the specific social background of the time, which has exerted a far - reaching influence on Chinese literature, esp. Jian'' an Literature. |
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| Keywords: | grieved solemnness: aesthetic style: far - reaching influence |
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