文学天宇中一道夺目的闪电——论寻根文学

20世纪80年代出现的寻根文学是新时期文学发展的一次重要探索。它对于新时期文学的意义是巨大而深远的。它提供了政治话语写作以外的另一种写作范式,指明了小说可以朝着无限广阔的文化领域进军,召唤着作家大胆借鉴新的创作资源。当它为后人提供可资借鉴的学术资源时,也存在着许多不足。文中主要从“寻根文学”的渊源、背景、理论、作家作品及所受到的外来影响等多方面试图对寻根文学做一次较为全面的梳理和把握。     

一种适用于离岗检测的目标跟踪算法

台湾寻根文学分别于1940年代、1950-60年代、1960-70年代三度勃兴,因历史激发力的不同在文化心灵诉求上各有侧重。从文化心理层面整体审视,上述台湾寻根文学的三度勃兴与台湾人内在主体的二元分裂密切相关：首度勃兴源自台湾人与日本人之间的主体分裂,再度勃兴源自台湾人与大陆人之间的主体分裂,三度勃兴源自台湾人与西方人之间的主体分裂。三度勃兴的二元分裂虽各有不同但皆导致台湾人无根的失落,这正是寻根的前提。三度勃兴显示出台湾人对于母体文化身份认同的强烈渴求,对于走向现代而不自我迷失的精神寻寄。     

Negotiating Routes and/or Roots: Heritagisation of nanyin in China and Singapore, 1970s to 2010s

Originated in southern China, nanyin (南音) is regarded as ‘the sound of motherland’ (乡音) performed and loved by the Hokkien dialect speakers in Mainland China, Taiwan, Hong Kong, Macau, and diasporic populations living in Southeast Asia. Having thrived in transnational spaces, nanyin is now celebrated as a shared heritage in China and Southeast Asian countries, such as Singapore. This paper explores the process of heritage-making, that is, the ways in which the art form and cultural practice of nanyin have been re-shaped and re-appropriated by the diasporic communities and the native place to articulate different understandings of the Chinese identity in their distinct nation-state frameworks. In this ambivalent entanglement, China has re-appropriated the diasporic history of nanyin to gain international recognition and build soft power through United Nations Educational, Scientific and Cultural Organization. In Singapore, the Siong Leng Music Association has actively engaged in the heritage-making of nanyin, leading to the creation of a unique Singapore brand that speaks to hybridity and cosmopolitanism, in the same way as the re-construction of their Chinese identity. Examining the two processes of heritagisation of nanyin along the China-Singapore ‘heritage corridors’, the paper argues that the two ends are connected in important ways but always seek to maintain distance to articulate their own cultural representations at international stages. Thus, nanyin through a comparative perspective enables a critical examination of issues of centre versus periphery, authenticity, and hybridity in the Sinophone world.     

寻找民族之‘根”——评《托妮?莫里森白饵所罗门之歌》

俄所罗门之歌》中，作者试图寻找一条适合美国黑人的发展道路。作为美国黑人民族的一个象征，主人公‘奶人”被置于各种力量的牵引之中，而临着艰难的选择:父亲梅肯?戴 德的追求金钱之路，好友吉他的复仇之路和姑妈彼拉多的传统之路。他最终的选择表达了 作者的观点:黑人民族应该立足于本民族的传统文化，在民族传统中寻求信心和力量，从 而找到一条民族自强的道路。