工业设计在改进产品外观中的应用

本文着重论述了应用工业设计的基本理论，进行ＦＭ６００Ｂ型复膜机的外观改进设计．     

中国历代咏梅诗分类初步研究

以咏梅诗的分类研究为主要内容,从汉代乐府诗到近现代诗人诗作,概括得出咏梅诗发展的3个阶段。同时,分析归纳从汉代乐府诗到清末民初诗人咏梅诗作约1000首,对描写梅花品种、自身器官、观赏特性、生长地、梅花与人的情感、与梅花有关的社会活动、梅花精神品格之美、咏梅诗典故等主要方面的诗句进行了归类,运用图的形式进行分析,反映出不同历史时期梅花自身变化与咏梅诗发展的规律和联系。     

论唐代茶诗审美情趣之嬗变

茶诗在唐代开始兴起,唐代茶诗奠定了中国茶文化基本的生命情调和审美情趣,而随着时代精神的不同,茶诗的审美情趣也有一个从自然俭约到精新细繁、从超尘脱俗到近俗乐俗、从宁静淡泊到文化品闲、从以茶悟道到茶禅一味的渐变过程。唐代茶诗反映了中国人独特的生活之美、生命之乐,传达出中国文人清高、白适的人格气质,并昭示了古代文人共同的价值取向和哲学思想,对于民族精神的塑造、社会的谐调都有着不可忽视的作用。     

接受美学视角下的超文本阅读特征探究

在以互联网为载体的第四媒体高速发展时代,超文本阅读作为网络世界最为流行的表意媒介,其研究也受到越来越多的关注。本文尝试以接受美学理论为视角对超文本阅读的基本特征进行分析与解读,以便为读者更好地认识和运用超文本阅读提供一个全新的视角。     

梁启超“趣味主义”思想及其对当代旅游的启示

梁启超的趣味主义人生观提出趣味（即审美）塑造生活康健的人，这与以审美为本质的当代旅游塑造和谐的人有着一致性。他提出的“天下最神圣的莫过于情感”、“凡人必须常常生活于趣味之中，生活才有价值”、趣味有高等和下等之分等论点对当代旅游中忽视旅游文化性和审美性、不能有效满足游客的情感需求和求趣需求、对一线从业人员和旅游者的教育等方面均具有重要启示意义。     

学校音乐教育与和谐社会关系研究

学校音乐教育的最终目的是培养和谐的人,而和谐社会的最基本的构成细胞也是和谐的人。学校音乐教育与和谐社会这两个表面上看似完全属于不同范畴的概念,由于一个共同的联系对象：“和谐的人”的存在,实质上具有了相当紧密和必然的联系。     

Music work: Traditional Cambodian music and state‐building under the Khmer Rouge

Recent scholarship has opened questions as to the everyday actions of the Khmer Rouge and those living under the regime which led to the Cambodian Genocide. Current work examines the critical cultural geographies of the Khmer Rouge: photography, poetry and music, for example. Music specifically has an interesting underpinning, as it was previously understood to be have been eradicated in the genocide as the standard narrative has us believe. This paper instead investigates the pieces of evidence that exist, which explain the use of music by the Khmer Rouge. I explore the geographies of music beyond the lyrics and look at the transformation and use of music in Cambodia and Democratic Kampuchea. What elements of traditional Khmer music were used during the regime? What modifications occurred to the music of Cambodia during the regime, and how did the Khmer Rouge modify existing Cambodian (and other) music to best fit their desired uses (state‐building and genocide)? This paper goes beyond traditional geographies of music, which rely on lyrical analyses, to bring an ethnomusicological perspective to the work of music and its role in shaping the idea of the Democratic Republic of Kampuchea.     

王夫之情景说阐释

王夫之的情景说,是对古典诗歌美学的重大发展,不仅可以帮助理解情与景、情景相生、情景交融、情景合一诸命题的美学涵意,而且可以认识中国古代美学和古代艺术的审美特征.     

弦外之音细细品——古代诗歌中隐语现象初探

隐语又称“隐”、“应辞”，即隐去本事而假以他辞来暗示的语言。本文简要分析了古代诗歌中两种常见的隐语类型并结合接受美学的观点强调了读者在理解含隐语的文学作品时所具各的创造性力量。     

Popular music in a transnational world: the construction of local identities in Singapore

As an area of geographical inquiry, popular music has not been explored to any large extent. Where writings exist, they have been somewhat divorced from recent theoretical and methodological questions that have rejuvenated social and cultural geography. In this paper, I focus on one arena which geographers can develop in their analysis of popular music, namely, the exploration of local influences and global forces in the production of music. In so doing, I wish to explore how local resources intersect with global ones in a process of transculturation. Using the example of English songs by one particular songwriter and artiste whose works are part of the popular music industry mainstream, and that of Mandarin songs of the genre xinyao, I will show that, despite increasing globalising forces, music is still an expression of local/national influences. Indeed, I will argue that globalisation intensifies localisation.