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景观设计中的虚实与中国画留白之关联性研究
引用本文:安新东,段渊古,李雪莲,韩春妮.景观设计中的虚实与中国画留白之关联性研究[J].西北林学院学报,2010,25(1).
作者姓名:安新东  段渊古  李雪莲  韩春妮
作者单位:1. 西北农林科技大学,园艺学院,陕西,杨陵712100
2. 青海省大通县林业局,青海,大通,810100
摘    要:从景观设计中的虚实与中国留白内涵出发,对其创作思想、空间构成手法和意境的创造进行对比研究,提出它们在虚实空间营造过程中存在着内在联系,以中国画留白的理论来指导景观设计的实践。

关 键 词:景观设计  虚实  中国画留白  空间  意境

Relevance of Intended Blank in Chinese Paintings and Emptiness and Solidness in Landscape Design
AN Xin-dong,DUAN Yuan-gu,LI Xue-lian,HAN Chun-ni.Relevance of Intended Blank in Chinese Paintings and Emptiness and Solidness in Landscape Design[J].Journal of Northwest Forestry University,2010,25(1).
Authors:AN Xin-dong  DUAN Yuan-gu  LI Xue-lian  HAN Chun-ni
Institution:AN Xin-dong1,DUAN Yuan-gu1,LI Xue-lian2,HAN Chun-ni(1.College of Horticulture,Northwest A&F University,Yangling,Shaanxi 712100,China,2.Forestry Bureau of Datong County,Datong,Qinghai 810100,China)
Abstract:Taking emptiness and solidness in landscape design and connotation of blank space in traditional Chinese painting as the objects,this paper comparatively studied their creation idea,space composing technique and artistic conception creating,put forward that they had internal relation during the constructing process of empty and solid spaces,and conducted the practice of landscape design by the theory of blank space of traditional Chinese painting.
Keywords:landscape design  emptiness and solidness  blank space of traditional Chinese painting  space  artistic conception
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