文人画对中国古典园林设计艺术思想的影响

中国传统文人画与中国古典园林是我国传统艺术的精华。作者均为士大夫文人,他们有共同的审美思想和艺术情趣。中国古典园林被称之谓文人园,在其设计和建造中多借用文人画的理论。文人画与文人园在题材的选择和艺术表现中强调“师法自然”,追求自然之天然情趣;借物咏志,借景抒情,传达文人情怀。在立意和布局上遵循“以少胜多”“意到笔不到”的原则,强调疏密虚实的对比关系。在意境的创造中,追求诗情画意,以求“虽由人作,宛自天开”之境。中国传统文人画的文化内涵是中国古典园林艺术思想的精神内核,这种人文精神不仅透射在中国古典园林的一亭一榭,也必将在中国现代园林发展中重放光芒。泰6

Impact of "literati painting"on the artistic ideology of Chinese classical garden design

Chinese traditional literati paintings and classical gardens are the essence of Chinese traditional art. The creators of them were all literati who shared the common aesthetics and artistic tastes. The creators of Chinese classical gardens usually applied the theories of literati painting to their design and construction. Therefore, such gardens were also called literati gardens. Both literati paintings and literati gardens tended to follow nature and expressed their ambition and emotion through concrete things and scenery. The creators of the classical gardens followed the principles that "less is more", emphasized the comparison between loose and dense, abstract and concrete, and tried to be poetic in artistic conception. Although artificial, the gardens looked very natural. The cultural connotation of literati painting was also the spiritual core of the artistic ideology of Chinese classical garden. Such humanity spirit not only was reflected by each pavilion but also would be more prosperous in the development of the modem gardening.Ch,6 ref.]