| 笔减而意繁--艺术辩证法之一 |
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| 引用本文： | 姜耕玉. 笔减而意繁--艺术辩证法之一[J]. 金陵科技学院学报, 2004, 20(2): 72-74 |
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| 作者姓名： | 姜耕玉 |
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| 作者单位： | 东南大学文学院,江苏,南京,210096 |
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| 摘 要： | 用减法，是造成中国艺术情境与意境的意味和空灵的秘诀。西方艺术也遵循“简化的原则”。中国写意画是“笔减而意繁”的典型个案。艺术用笔繁简相间，相辅相成，以繁简相生为妙。
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| 关 键 词： | 用减 以减驭繁 意繁 |
| 文章编号： | 1672-755X(2004)02-0072-03 |
| 修稿时间： | 2004-05-01 |
Brief in Words and Rich in Meaning --One Case of Dialectics in Art |
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| JIANG Geng-yu. Brief in Words and Rich in Meaning --One Case of Dialectics in Art[J]. Journal of Jinling Institute of Technology, 2004, 20(2): 72-74 |
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| Authors: | JIANG Geng-yu |
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| Abstract: | Being brief in exposition is a secret to gain artistic conception and affection in both Chinese and Western art. A typical case is in Chinese free sketch painting. In art, simplicity and variety alternate with each other and complement with each other. |
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| Keywords: | brief in exposition simplicity piloting variety rich in meaning |
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